DE MAYERNE MANUSCRIPT PDF

Sir Théodore Turquet de Mayerne (28 September – 22 March ) was a Genevan-born . Mayerne compiled the so-called ‘de Mayerne manuscript’ between and based on conversations with painters (and others). A ‘New’ de Mayerne Manuscript. IN his edition of the Theophilus treatise. Diversarumn Artiumn Schedula published in ,. Robert Hendrie in a commentary. For a later period, the same is true of the manuscript by Theodore Turquet de Mayerne (–44). A huge number of lesser-known artistic manuals were.

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Théodore de Mayerne – Wikipedia

It is dedicated to the study of the history of science and aims to understand scientific thinking and practice as historical phenomena. The Institute also comprises of a Research IT Group—specialist in digital humanities—doctoral students, and research and teaching cooperations with other institutions worldwide.

This section provides access to published research results and ds sources in the history of science. It is also a platform for sharing ongoing research projects that develop digital tools.

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Researchers at the Institute benefit from an internal Library service. The Max Planck Institute for the History of Science frequently shares news, including calls for papers and career opportunities.

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Public events—including colloquia, seminars, and workshops—are shown on the events overview. This project studied and reconstructed artisanal knowledge appropriated by artists through the close examination of one type of primary source: In this systematic treatise, Cennini delivers a huge number of instructions on various artistic disciplines.

As he himself was a practitioner and as he referred to several well-known painters, such as Agnolo Gaddi or Giotto, his book is a dependable source on the practices and the materials used by artists in a chronologically and geographically delimited area. For a later period, the same is true of the manuscript by Theodore Turquet de Mayerne — A huge number of lesser-known artistic manuals were produced in the period between these two seminal works.

Previous research has shown that a great number of these sources can be used to highlight specific, contemporary practices, as their scribes often specified the name—or sometimes the origin—of the artists from whom they obtained their information, as did Cennini and de Mayerne.

Such collections of recipes were often gathered in the same book with other subjects like theology, alchemy, botany, or medicine. Systematic research in ds corpus of more than recipe books, dating from to provided the material for a database that facilitates consultation and exploitation of the source material.

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Records of and information on every recipe, most of them produced in Northern Europe, were made available through the Max Planck Digital Library.

An additional theme of the project was to consider and evaluate the importance and interest accorded to knowledge on the materials and substances used by the artists, focusing on pigments and coloring material.

Epistemes of Modern Acoustics RG: Computational History of Science RG: Perspectives and Methods Anthropocene.

Sylvie Neven Mark Clarke Karin Leonhard Sven Dupre This project studied and reconstructed artisanal knowledge appropriated by artists through the close examination of one type of primary source: Publications The Recipes Project.

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